Coming Soon! A digitized re-release:
The sounds, words, music here express a large range of moods, colours, textures, sensibilities in the construction of imagery within a dramatic sequence for the particular intent of giving shape to my experiences and visions. [1978 Sea Wave Records]
From “Sea Wave”:
From the Review by Kay Gardner in Paid my Dues:
It took time to approach Jeritree’s House of Many Colours. Its uniqueness was scary. I wasn’t accustomed to listening in the way this album demanded I listen. The music is avant-garde, improvisational as well as compositional – meaning, as she writes on the liner notes, “direct improvisational expression integrated with carefully worked out structures and conceptualizations.” One might call it “classical.” Another might call it “jazz.” It could be either or both, but I think it defies classification.
Jeritree (Jeriann Hilderley), the LP’s creator, is a renaissance woman singing her poetry while playing marimba, percussion, cello, guitar, and wood flutes in various combinations. The studio technique of overdubbing – allowing a musician to play duets, trios, etc. with herself – is utilized tastefully to create an accompanying ensemble of instrumental sounds all made by Jeritree. (Marilyn Ries, engineer, must be given special mention here for making it work so well.) The only thing missing might be the special interchange between various musicians that makes for added musical excitement.
Those who listen with preconceived notions about singing, open your ears! A visual artists friend of mine, on listening to the album, compared Jeritree’s voice to that of Piaf in its strangeness, its rapid vibrato, its emotional depth. It is a voice that knows pain and joy and feels it to her very gut, a voice indescribable in its otherworldliness – not trained, not stylized, not cultured. She chants, wails, touching places in us where deep feelings hide. It is an intense voice. READ MORE
The vinyl sells for $350 (but wait for our new re-release!):
“JERITREE- House Of Many Colours- (New-Age Lesbian free-jazz folk w/ Jeriann Hilderley. Post-Coltrane marimba abetted by cello & afghan drum w/ long crescendos & willowy ‘outsider’ vocals ala Leon Thomas. Produced by avant-lesbian sound engineer Marilyn Ries….)” – Groovytunesday